Hills, Matt (2002) Fan
Cultures. London: Routledge, pp37-59.
In this extract
Hills wishes to outline and explore the limitations and difficulties of using
the methodology of ethnography when researching fandom. He openings up the
article by expressing that fans are often unable to justify why they are a fan
of a particular media text stating that the pleasure some fans receive can be
so intense that it cannot be articulated accurately to the research meaning
collected data is inaccurate. Fans are also known for answering research
questions defensively being unable to accept criticism for their favourite
media texts.
Hills suggests that the best way to collect research
regarding fandom is through auto-ethnography. However, this method is not free
of problems. Many auto-ethnographic studies tend to stop self-analysis at a
certain point in their studies due to refusing the challenge privileged
discourses. Some studies also dismiss the influence of friends, family and
cultural context by discussing auto-ethnography as being 100% personal.
Wise (1990) points out that fandom does no flourish in a
hostile environment and needs to be linked to cultural value even if only
within a household or a small group of friends. (God knows how many hours I’ve
spent in the pub discussing Lost...) This suggests that all fandom negotiates
between the internal self and cultural context.
Hills concludes the article by conducting his own auto-ethnography.
He concentrates on his multiple fandoms and creates a diagram outlining media
texts he is a fan of and how they have varied over time. This helps him create
patterns of his fandom for example ‘Britishness’, cult following and masculinity.
In conclusion, fan studies can become very difficult as
theory fails to accurately describe experience. Most academic studies regarding
fan culture focuses on extreme fans, rather than the every-day average person’s
media consumption and preferences. Auto-ethnography being the best method when implemented
correctly but theorists will constantly be aware of how they’re portraying themselves
to the reader by subtly saying to the reader “I’m not one of those losers who go
to conventions!”
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